I’m never too sure when a
photo is best as monochrome or colour. Some people are able to instantly take
stock of a scene and recognise that it calls for monochrome – and set their
cameras accordingly. Most of us, I suspect, prefer to shoot in colour and experiment
with monochrome in post-production. That way we don’t burn our boats at the
outset. But there is potentially another approach. If you have an electronic
viewfinder/ LCD screen and set your camera to record JPEG and RAW files, your camera may let you choose to make a black and
white JPEG, whilst also recording a colour RAW file. Then you won’t have to
imagine what the scene looks like in black and white – that’s what you’ll see
on your EVF or LCD. But you will still have the colour-image fallback. This
will give you the best of both worlds!
Whichever way this
Wednesday’s images were produced, there were plenty of good ones for our judge,
Paul Graber, to consider. It was Paul’s second visit to Photocraft. He
introduced himself as a monochrome enthusiast whose favourite genres are
landscape and birds (the latter of course usually better in colour!).
The most important question
to ask of our entries, he told us, was ‘Why is it monochrome?’. In other words,
had we chosen to convert to monochrome for good reasons, such as, to get rid of
distractions or to add drama, or simply because we were desperate to put
something into the competition?
Paul especially (mostly) appreciated
our penchant for humorous titles. He enjoyed images with a good range of tonality;
interesting skies; a lack of clutter; no unnecessary distractions; and, in the
case of portraits, connection with the subject’s personality. He least
appreciated ‘soot and whitewash’ images – black and white with no intermediate
tones.
I learned a new bit of
photographer’s jargon from the judge – JCB. But I’ll demystify that at the end
of this blog post…
Tonight’s star entries were:
LEVEL ONE
Overall winner: Alan Marchant – Pot Children
The judge said: ‘The
photographer captured this boy extremely well. It’s sharp and he’s looking at
you and there’s some personality coming across. There’s the beginning of a
story being told here, with the little girl (the top of her head) adding
information to the picture. The square format works well.’
Other Level 10: Martin Wilkins – Pub Cat
LEVEL TWO
Overall winner: Graham Simms – My style
The judge said: ‘I love the
humorous title. There is certainly some style
going on in the photography here. There is some lovely light falling on the
stile and making it very much the centre of attention. There’s loads of detail
in the sky. It’s a good example of monochrome lending an enormous sense of
drama. The picture has got dynamism, lovely light and a good diagonal created
by the fence. And it’s been superbly well-processed.’
Other Level 10: Dave Stoneleigh – Rushing Waters
Congratulations to all these
very fine entries!
And finally, to put you out
of your suspense, if you didn’t already know the meaning of JCB: apparently it means ‘Joe
Cornish Boulder’ – a reference to the tendency, on the part of
acclaimed photographer, Joe Cornish, to include a boulder in his landscape
photography as foreground interest!




Nice Blog Philip, and thanks for the tip about capturing images as Jpeg + RAW to help visualize black and white in camera. I never thought of that.
ReplyDeleteI now know that I'll need to carry a stepladder in my kit to ensure good separation between foreground and background š.
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