Friday, 27 April 2018

25 April 2018 | Open Print Competition


This was the club evening that nearly didn’t happen. The judge, Roger Mendham, started with a salutary tale of his computer’s catastrophic hard drive failure. Mercifully, his 100,000 images were well backed up, but details of this Wednesday’s judging appointment were lost. Thankfully, a phone call from Mark Bulle saved the day!


Roger told us that he especially enjoys judging prints, as opposed to PDIs – ‘there’s no hiding place… a print is exactly what the author wants to be seen’. Black mounts seemed very popular, though one seemed to be upside down (normally the widest part of the mount is at the base!). There were some wonderful titles, especially ‘Wind-ruffled Robin’ – try saying that quickly! Roger was especially keen on images that evoked feelings, such as the power of waves or lonely contemplation. Tiny details were also important, like the person walking with a child in a very distant archway. As he pointed out, the photographer needed a good deal of patience to wait till just the right moment to fire the shutter. 


The Level 1 Winner this week was Maureen Hodges, with her splendidly evocative ‘Old Cottage Window’. The window was wonderfully sharp and the glass patently old and fuzzy. It gave a sense of being somewhere warm and homely.



The Level 2 Winner was Martin Faiers, with his beautifully detailed ‘Elemental Lights: Yellowstone’. This had excellent balance and had captured the right moment – people in motion, at the right hand third of the picture.





During the coffee break, I asked Roger what he looked for, as a judge, in photos. He also told me about his own style of photography and nominated just one photo that he would take with him to a desert island. Let’s hope he comes back from the island in time to judge another competition for us!


Saturday, 21 April 2018

18th April 2018 - Viveca Koh - From iPhoneography to Fellowship

Last Wednesday, the club welcomed Viveca Koh. Viveca was to take us on a journey from her beginnings with a box brownie, via the iPhone and its array of photo editing apps, to her achievement of the FRPS in 2014.

It became clear very quickly that Viveca's creative mind is a family trait as her mother is a painter and her uncle a poet. What was particularly fascinating to me was that her vision for an image was always on, even during the commute to work!

Working with her iPhone - beginning with the 2012 model - she confessed she likes the discipline of only having a fixed focal length lens to work with. Alongside that, Viveca has invested many 99p's - up from only 79p in the early days - in a multitude of creative and editing apps. She has produced a worksheet listing these in full which we hope she will pass onto the club so that we can carry out own trials and determine what works best for our own work or be inspired to try out something new.

A short list of her favourites:

  • Photoshop Touch - scaled down photoshop for smartphones
  • Glaze - Replicates paint texture
  • Repix - to be able to add texture to specific areas of the photo
  • Percolator - to use more of the colours in the image
  • Hipstamatic - clearly Viveca's most used app and one that (sadly for us Android users) appears to be only made for iPhones and iPads. It comes with a huge variety of lens options, brushes and designs and it seems Viveca must be very near the top of their Best Customer list!!.
Other apps are used to add vintage analogue effects, frames and borders.

Viveca made us aware of the words of Chase Jarvis, who said simply:

"The best camera is the one you have with you."

In this day and age that, invariably, is your smartphone and Viveca then demonstrated her skill and eye for making everyday scenes into striking images. Her creative mind and ability to see something, figure out what app to use and then work on photos that she has taken out of a bus window as she heads to the office had this writer sitting up and being seriously impressed. Most of us are probably barely awake on the way to work or have our eyes on the phone or paper but Viveca shows us that there are so many possibilities with her iPhone and pointed out that it is less intimidating to use, being great for being able to get close to your subject - especially bird close-ups

Like many of us, taking street photography can be intimidating as it is not easy to point your lens at strangers in the street. Viveca found that using her phone also freed her from this element and working in her then local area, she took part in local photo projects with community publications. These included the "Dogs and Legs" set, of which she shared a sample of with us. 

Her favourite location is Venice and as a challenge to herself, on her last visit, Viveca set out to use only her iPhone for her photography - something she admitted finding liberating. Here again, we saw her wonderful creative skills in taking and making eye-catching images from scenes that would doubtless pass most of us by. Working with the translating tools on her phone, she managed to persuade the locals to pose and react for her images. It sounds like a work in progress and is something to keep a watch out for.

Part of the appeal of using a phone for photography is that it can be a very good rehearsal for projects on a "big" camera - in Viveca's case, this is a Nikon. 

After tea break, Viveca gave us an honest and striking insight into how she obtained her FRPS. This was to follow her LRPS in 2010 and ARPS in 2011.

The inspiration for her attempt came from working on images created to accompany her uncle's poetry. His words were formed elements of astronomy and what struck me was how much Viveca put into her work, with her ability to be able to match what came into her mind from her uncle's words producing images that are visually stunning.

Having created her own book of images, she applied for the FRPS - with a book this needs 40 images - but did not pass. The advice she took away was to re-apply but using prints - this needing just 20 images. Seeking advice from other Fellows of the RPS, she eventually produced a set of images to propose. Some last minute changes to the panel - mainly to ensure a good balance in her portfolio - meant that she succeeded in her second attempt.

Viveca learned from this experience that, in order to achieve this goal, you need to be ruthless in judging your own work and not pick what you may consider your own favourites.
Again using her creative skills, much of what was used in the images came from the past, i.e. she has built up her own databases of sky, textures, etc. and images taken in such diverse locations as barbers shops and old, derelict buildings; also making sure her old stomping ground of Crystal Palace featured via using photos of her favourite mannequin!

She also offers a course on using Photoshop layers and masks, especially blending. This works best if we can gather 10 members who are interested.

Elsewhere, you can find Viveca's website and blog here: 

Website:
http://www.vivecakohphotography.com

Blog:
http://www.vivecakohphotography.co.uk

I fear I may have gone on here but I did find the evening one to remember and I hope you all enjoyed Viveca's intriguing and excellent journey and insight into her creative skills.

Thanks for reading!

Brian





Monday, 16 April 2018

11 March 2018 | PDI competition 4

Welcome back after the Easter break! This week we were visited by John Nathan who gamely judged close to 60 of our best images.

Things we learned this week:

1) Taking photos of wildlife is fraught with frustration. Ears can "ruin" the shot. Birds don't care to look in the right direction, or even look "right" when you snap them. And if you happen to get a shot with more than one bird aiming for the same thing, Photoshop must DEFINITELY have been used to stitch the animals together (spoiler alert: it wasn't...)
2) Even at 38,000 feet, it'd be nice to get a bird in the shot.
3) Aperture is key to a good shot.
4) ISO is key to a good shot.
5) Focus is key to a good shot. Unless it's not. In which case, it isn't.
6) Diagonals are key to a good shot.
7) Mopeds are good. Unless there's a bus in the way. Buses ruin everything.
8) Trees can steal the limelight. Even from a man with a day-glo T-Shirt on.
9) Calling something abstract doesn't necessarily mean that the judge will agree.

And... Wait for it... You've guessed it... I've saved the best for last...

11) Any photo will be enhanced by a dash of red. A red farmer in a field, 2000 feet down. A person in red skating on an otherwise isolated frozen lake. But not a bus. Definitely not a bus. That bus ruined the shot. 

So... After the mutterings, mutiny and scowling of the evening was complete, the following shots waltzed off with top marks, red or no red and congratulations should be given to:

Group 1: 

Winner:  Alan Marchant - Creme de la Creme Brulee:


David Merrit - Hillcroft in possession:


Chris Randall - Rooftops of Brugge:

 

 Chris Randall - Burnham-on-Sea Low Lighthouse:


Level 2:

Winner: Graham Simms - Lochan Urr:


Graham Simms - Loch Leven Dawn: